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“1st Animation Start-ups Support Program” Training Program

    Home Key Events “1st Animation Start-ups Support Program” Training Program
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    “1st Animation Start-ups Support Program” Training Program

    By admin | Key Events, 1st Animation Support Program Key Event | Comments are Closed | 6 September, 2012 | 0

    Date:10 September, 11 September, 17 September

    Venue:Conference Room A & B

    Address:SME One, G/F,HKPC Building, 78 Tat Chee Avenue,Kowloon Tong

    Date/Time Trainer Trainer biography Content
    10 September

    (Monday)

    10am – 1pm

    Toe Yuen Senior Animation Producer. Director of “My Life as McDull” and “McDull, Prince de la Bun” Directing for Animation (I)

    • Duties and Responsibilities of Animation Director
    • Personal creativity VS Team creation
    • Balance between creativity and production cost
    10 September

    (Monday)

    2pm – 5pm

    William Kan The director of  –  top animation movie at the box office inChina. The production includes the 1st movie, the 4th movie < Mission Incredible: Adventures On The Dragon”s Trail>, and the on-going 5th movie. Directing for Animation (II)

    • How to direct an animation
    • The skills and responsibility of an Animation Director
    • The relationship between the market trend and the positioning of an animation
    • Time Management
    11 September

    (Tuesday)

    10am – 1pm

    Lo Wing Keung 香港動漫火車有限公司高級顧問,人稱“喜羊羊之父”。 2004年製作出《喜羊羊與灰太狼》電視動畫,創下內地黃金段高收視佳績;憑著三齣電影版更創下國產動畫史無前例的逾三億人民幣票房收入。

    Chinese version only

    Scriptwriting for animation

    (Content is TBC)

    11 September

    (Tuesday)

    2pm – 5pm

    Yeung Sin Ling 1995年憑《夜半歌聲》獲得香港電影金像獎「最佳服裝指導」。2000年創作劇本《無人駕駛》,獲提名台灣金馬獎「最佳原創劇本」。2007監制及編寫《我阿媽係外星人》動畫短片系列,第一及第二集推出後獲得多個獎項。

    Chinese version only

    How come it is so hard on scriptwriting? Because it”s not a good thing if you can get it easily.

    Animation scriptwriting – Reveal the problems

    • Why my script is so boring?
    • Why the story is full of confusion?
    • Why my script is lacked of depth?
    • Why the story could not reach its climax?
    • Why my story could not produce any echoes?
    17 September

    (Monday)

    10am – 1pm

    Tin Ho Man Graduated from Berklee College of Music in United States dual majoring in both Music Composition and Film Scoring. He had worked best online casino in Los Angeles”s Film and TV music productions, as well awarded in various international composition competitions. He collaborated as music composer in 2011 Golden Horse Awards nominated Best Short Film, The Meeting of the Half Moons; and the 17th IFVA Gold Award short film, 1 1. The functionalities and practices of music in animationExamine different functions and effects of the use of music in animation, as well as understanding the workflow of music production.

    • Analyse the differences and usages of Underscore, Song Score and Source Music, etc.
    • How different musical elements or genres affect the storytelling
    • Discuss the workflow of music production
    17 September

    (Monday)

    2pm – 5pm

    Dave Cheung Started working for audio post-production in Canada since 2007 as an assistant for sound design and engineering.  Participated in large quantity of short films and promos, I have started working on film audio since 2009.  I”ve worked for several movies directed by Johnnie To and other directors as part of the sound designing team in the years of working inHong Kong.  With much experience I have earned in my past, I started up Foxter Sound Concept as my own audio post-production studio based inHong Kong. Sound effects for Animation /   visuals

    • Introduction to audio
    • Processing audio
    • Essential procedures of audio production / Standards and formats
    • Basic concepts of audio image

     

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