{"id":264,"date":"2012-09-06T23:06:49","date_gmt":"2012-09-06T15:06:49","guid":{"rendered":"http:\/\/www.animation-ssp.com\/?p=264"},"modified":"2021-08-02T19:20:23","modified_gmt":"2021-08-02T11:20:23","slug":"1st-animation-start-ups-support-program-training-program","status":"publish","type":"post","link":"https:\/\/www.animation-ssp.com\/en\/1st-animation-start-ups-support-program-training-program\/","title":{"rendered":"\u201c1st Animation Start-ups Support Program\u201d Training Program"},"content":{"rendered":"

Date\uff1a10 September, 11 September, 17 September<\/p>\n

Venue\uff1aConference Room A & B<\/p>\n

Address\uff1aSME One, G\/F,HKPC Building, 78 Tat Chee Avenue,Kowloon Tong<\/p>\n

<\/p>\n\n\n\n\n\n\n\n\n\n
Date\/Time<\/strong><\/td>\nTrainer<\/strong><\/td>\nTrainer biography<\/strong><\/td>\nContent<\/strong><\/td>\n<\/tr>\n
10 September<\/p>\n

(Monday)<\/p>\n

10am \u2013 1pm<\/td>\n

Toe Yuen<\/td>\nSenior Animation Producer. Director of \u201cMy Life as McDull\u201d and \u201cMcDull, Prince de\u00a0la Bun\u201d<\/td>\nDirecting for Animation (I)<\/strong><\/p>\n
    \n
  • Duties and Responsibilities of Animation Director<\/li>\n
  • Personal creativity VS Team creation<\/li>\n
  • Balance between creativity and production cost<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
10 September<\/p>\n

(Monday)<\/p>\n

2pm \u2013 5pm<\/td>\n

William Kan<\/td>\nThe director of\u00a0 – \u00a0top animation movie at the box office inChina. The production includes the 1st movie, the 4th movie < Mission Incredible: Adventures On The Dragon”s Trail>, and the on-going 5th movie.<\/td>\nDirecting for Animation (II)<\/strong><\/p>\n
    \n
  • How to direct an animation<\/li>\n
  • The skills and responsibility of an Animation Director<\/li>\n
  • The relationship between the market trend and the positioning of an animation<\/li>\n
  • Time Management<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
11 September<\/p>\n

(Tuesday)<\/p>\n

10am \u2013 1pm<\/td>\n

Lo Wing Keung<\/td>\n\u9999\u6e2f\u52d5\u6f2b\u706b\u8eca\u6709\u9650\u516c\u53f8\u9ad8\u7d1a\u9867\u554f\uff0c\u4eba\u7a31\u201c\u559c\u7f8a\u7f8a\u4e4b\u7236\u201d\u3002 2004\u5e74\u88fd\u4f5c\u51fa\u300a\u559c\u7f8a\u7f8a\u8207\u7070\u592a\u72fc\u300b\u96fb\u8996\u52d5\u756b\uff0c\u5275\u4e0b\u5167\u5730\u9ec3\u91d1\u6bb5\u9ad8\u6536\u8996\u4f73\u7e3e\uff1b\u6191\u8457\u4e09\u9f63\u96fb\u5f71\u7248\u66f4\u5275\u4e0b\u570b\u7522\u52d5\u756b\u53f2\u7121\u524d\u4f8b\u7684\u903e\u4e09\u5104\u4eba\u6c11\u5e63\u7968\u623f\u6536\u5165\u3002<\/p>\n

Chinese version only<\/em><\/td>\n

Scriptwriting for animation<\/strong><\/p>\n

(Content is TBC)<\/td>\n<\/tr>\n

11 September<\/p>\n

(Tuesday)<\/p>\n

2pm \u2013 5pm<\/td>\n

Yeung Sin Ling<\/td>\n1995\u5e74\u6191\u300a\u591c\u534a\u6b4c\u8072\u300b\u7372\u5f97\u9999\u6e2f\u96fb\u5f71\u91d1\u50cf\u734e\u300c\u6700\u4f73\u670d\u88dd\u6307\u5c0e\u300d\u30022000\u5e74\u5275\u4f5c\u5287\u672c\u300a\u7121\u4eba\u99d5\u99db\u300b\uff0c\u7372\u63d0\u540d\u53f0\u7063\u91d1\u99ac\u734e\u300c\u6700\u4f73\u539f\u5275\u5287\u672c\u300d\u30022007\u76e3\u5236\u53ca\u7de8\u5beb\u300a\u6211\u963f\u5abd\u4fc2\u5916\u661f\u4eba\u300b\u52d5\u756b\u77ed\u7247\u7cfb\u5217\uff0c\u7b2c\u4e00\u53ca\u7b2c\u4e8c\u96c6\u63a8\u51fa\u5f8c\u7372\u5f97\u591a\u500b\u734e\u9805\u3002<\/p>\n

Chinese version only<\/em><\/td>\n

How come it is so hard on scriptwriting? Because it”s not a good thing if you can get it easily.<\/p>\n

Animation scriptwriting – Reveal the problems<\/strong><\/p>\n

    \n
  • Why my script is so boring?<\/li>\n
  • Why the story is full of confusion?<\/li>\n
  • Why my script is lacked of depth?<\/li>\n
  • Why the story could not reach its climax?<\/li>\n
  • Why my story could not produce any echoes?<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
17 September<\/p>\n

(Monday)<\/p>\n

10am \u2013 1pm<\/td>\n

Tin Ho Man<\/td>\nGraduated from Berklee College of Music in United States dual majoring in both Music Composition and Film Scoring. He had worked best online casino<\/a> in Los Angeles”s Film and TV music productions, as well awarded in various international composition competitions. He collaborated as music composer in 2011 Golden Horse Awards nominated Best Short Film, The Meeting of the Half Moons; and the 17th IFVA Gold Award short film, 1 1.<\/td>\nThe functionalities and practices of music in animation<\/strong>Examine different functions and effects of the use of music in animation, as well as understanding the workflow of music production.<\/p>\n
    \n
  • Analyse the differences and usages of Underscore, Song Score and Source Music, etc.<\/li>\n
  • How different musical elements or genres affect the storytelling<\/li>\n
  • Discuss the workflow of music production<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
17 September<\/p>\n

(Monday)<\/p>\n

2pm \u2013 5pm<\/td>\n

Dave Cheung<\/td>\nStarted working for audio post-production in Canada since 2007 as an assistant for sound design and engineering. \u00a0Participated in large quantity of short films and promos, I have started working on film audio since 2009. \u00a0I”ve worked for several movies directed by Johnnie To and other directors as part of the sound designing team in the years of working inHong Kong. \u00a0With much experience I have earned in my past, I started up Foxter Sound Concept as my own audio post-production studio based inHong Kong.<\/td>\nSound effects for Animation \/ \u00a0 visuals<\/strong><\/p>\n